Tag: books

  • Movie Review: People We Meet on Vacation

    Movie Review: People We Meet on Vacation

    ***This review contains mild spoilers.***

    People We Meet on Vacation by Emily Henry is one of my favorite books. I’ve read it twice and plan to read it again. So I was beyond excited for the film adaptation, literally had trouble sleeping the night before its release like a kid on Christmas Eve. I knew my expectations were impossibly high and I needed to level set them, but still, I couldn’t help being disappointed.

    There was so much about book Poppy’s and Alex’s lives that was absent from the film. Like Alex being withdrawn and uptight has a lot do with his mom dying when he was a kid. His dad was largely checked out after that, and Alex felt like he had to step up to help care for his brothers. This also makes him reluctant to get romantically involved with someone he cares about as much as Poppy, because he feels like his mom’s death destroyed his father and he’s afraid of going through that too.  

    And the reason Poppy has such intense wanderlust and is afraid to settle down—in particular in her hometown of Linfield, Ohio—is because she was teased and bullied throughout high school. She was made fun of for being “porny Poppy”—which the movie does, briefly, bring up—but also for the loud way she dressed and her eccentric parents, who were borderline hoarders. When she brings a boyfriend home, she’s devastated when he ridicules her family. It makes her afraid to be completely vulnerable and open up her whole life to someone else, believing no one will ever fully accept her.

    I would’ve loved to see both of their families in the movie more, and especially to see Poppy and Alex with each other’s families. But I understand that you can’t fit everything into movies with tight runtimes, and these types of nuanced emotional backstories are difficult to transcribe to film.

    I was also disappointed in the changes to Poppy and Alex’s falling out. In the book, they actually go on one more solo vacation together after the awkward couples trip to Tuscany. Now single, they travel to Croatia, their friendship a bit shaky as their repressed feelings for another bubble closer and closer to the surface. One night they’re hanging out in the hotel room and end up making out. After, their insecurity about what it means to the other person drives a wedge between them. In the movie, this kiss never happens. There’s only an almost kiss, which is far less impactful and their subsequent falling out makes less sense.

    What bother me the most was that pretty much the entire present-day timeline was changed. In the book, Alex’s brother gets married in Palm Springs. Desperate to go and repair her relationship with Alex, Poppy pitches a Palm Springs story to her magazine editor. When her editor passes, Poppy instead takes time off work but lies to Alex to lure him on vacation with her again before his brother’s wedding.

    She tells him she’s writing a piece for work about budget travel (because she can’t personally afford the luxurious accommodations her company normally pays for). They end up staying in a cramped, overheated motel room with a single bed (despite being advertised as having two). Alex sleeps on a tiny chaise that causes his back issues to flare up and keeps them trapped in the ridiculously hot room for far too long.

    While the back issues briefly come up in the movie, they don’t make as much as sense without the horrible sleeping arrangements. The broken air conditioner also comes up, but it doesn’t have the same effect, since Poppy’s room in the movie is huge and airy and Alex isn’t even planning to stay with her.

    In the book, Poppy rents a cheap car that’s on its last legs and the two drive to disappointing tourist attractions around the city, with the awkwardness of their damaged friendship looming over them the whole time. Their thrown one curveball after another and the trip is a disaster. It acts as a pressure cooker, making Poppy and Alex more and more uncomfortable until they burst, finally confronting their issues. It was so perfect and my favorite thing about the book.

    I desperately wish this nightmare budget vacation was in the movie. Even if they couldn’t do Palm Springs, I wish they’d picked another city where Poppy could’ve planned a crappy trip on shoestring budget.

    I also have to say that I never quite felt the connection between Poppy and Alex in the movie. Their relationship felt a little underdeveloped. I think the backstory omissions and the changes to the present-day storyline contributed to this. Also the fact their vacations were drastically cut down from the book. Maybe the movie needed a few montages to show more trips and Alex and Poppy getting closer and closer over the years.

    Despite my many criticisms (some which I didn’t even bother getting into here), I didn’t hate the movie. There were many moments I enjoyed and that even made me laugh. My favorite probably being when Poppy impulsively buys a ridiculously heavy wooden sculpture at an artisan craft fair, which she and Alex (mostly Alex) then have to lug throughout the Canadian wilderness. I also thought the performances were good overall, and that Emily Bader and Tom Blyth were well cast as Poppy and Alex.

    I did try to divorce the movie from the book and see it as its own piece of art. Even so, I think the movie was middling at best. It lacked the emotional depth and potent chemistry I want from a good romance. It also had a few too many cheap, cliched jokes that I’ve seen in countless other romcoms. I just don’t find a grown man running naked around the woods all that funny.

    Overall rating: 3 out of 5.

  • The Rate of Exchange

    Alex struggled to get her grandmother’s old turntable going. She had to swivel the arm a few times before it finally dropped. But once it did, the record played perfectly. No scratches. No skips. Stevie’s ever-shifting voice filled Alex’s small apartment, first husky and smoky, then silky and smooth. Alex lay on her living room floor, where it was slightly cooler in the humid afternoon. She closed her eyes and imagined the band assembled in the corner. She began to feel like she was spinning up and off the floor, all the way to the ceiling, the room dissolving into some ethereal space.

    Her roommate Carrie walked in. “My god, who’s this?”

    “Stevie Nicks.”

    “Tell her she sucks.”

    “She’s the Queen of Rock and Roll.”

    “That doesn’t mean she’s good.”

    *          *          *

    “I love the record,” Alex told Matt the next time he came to the coffee shop. “I knew who she was, but I never knew what she sounded like.”

    “I had a feeling you’d like her,” he said.

    “If only I could play guitar, maybe I could be the next Stevie,” Alex joked.

    “Hey, you never know, Blue Eyes. You’re looking at a teacher, you ever want a lesson.”

    “Oh yeah, maybe,” Alex said, averting her eyes to the coffee-stained counter.

    She’d met Matt not long after leaving her parents’ and starting at The Bean. He worked at the pawnshop down the street and was, according to her boss Gary, “their number one customer.” He showed up while Gary was reteaching her to steam milk because she, apparently, wasn’t doing it right.

    “Wand in the middle, Alex,” Gary had said. “You want the milk to swirl, not bubble.” His cell phone buzzed. He quickly dipped into his office.

    A pit of dread grew in her stomach as she poured the milk. Matt would be expecting her to fail now. To make his drink too frothy, too bitter. She braced herself as Matt took a sip, expecting him to complain.

    But he only pointed to her Bob Dylan t-shirt. “You’ve got good taste for a girl your age,” he said. “What’s your favorite song?”

    It made her feel finally at ease. Grateful, even, that someone was taking an interest in her for a change. She so often felt trapped behind the counter, a receptacle for customers’ hopes, fears, tirades. So she gave him that first mocha on the house. She certainly didn’t expect him to bring her anything. But the next day, he set a record next to the register. Moody Blues.

    “People bring in old records all the time,” he’d said. “Can’t sell ’em for more than a couple of bucks.”

    Since then, she’d grown to enjoy Matt’s daily visits, but she was reluctant to see him outside these syrup-splattered walls, to even stand before him without the counter between them, no matter how desperately she wanted guitar lessons.

    It’s not that Matt was bad looking, but he was way too old for her. She was barely out of high school, dreaming of escaping the dull suburbs of Chicago. She didn’t know how old he was exactly, but he was nearing forty if he wasn’t already, rooted too deep in their godforsaken town to get out.

    *          *          *

     There’d been no customers in what felt like forever. Alex scrolled through Gary’s iPod and put on Bob Dylan’s “It’s All Over Now, Baby Blue.” She hopped on the counter, tapping the heels of her bleach-stained chucks against the cabinets. Her dark ponytail swayed to the glossy harmonica, the lilting guitar. Alone, she felt brave enough to close her eyes and sing when it got to her favorite part. She imagined the earth turned upside down, knocking her headfirst into the rippling sky.

    Gary emerged from his office, looking irritated. “Alex, could you clear the syrup pumps? I couldn’t get the raspberry out for a latte this morning.” A latte for himself, she knew. None of their regulars ordered raspberry anything.

    She’d made it through half the syrup bottles before any customers showed. Even then, it was only Carrie.

    She wrinkled her nose as Alex extracted another sticky syrup pump, hazelnut streaming into the sink. “Thank god I don’t have to deal with nasty stuff at my job.”

    Alex sighed. Carrie took great pride in working at the local dance shop. She acted like it wasn’t another crappy service job, like they weren’t both barely scraping by because they didn’t want to live with their parents and were too poor to go to college. 

    “Guess what?” Carrie leaned over the counter, blond curls falling in her face. “Cute college guy finally asked me out. He’s taking me to a party in the city.”

    Alex started steaming nonfat milk for the latte she knew Carrie expected. She focused on making it swirl in the silver pitcher, wondering what it was like to live in a dorm, surrounded by people your own age who were all brimming with potential, their futures bright and wide open.

    The door jingled. Matt appeared, his voice filling the room. “Hey, Blue Eyes. Just got a turntable and receiver at the shop. Practically new.”

    “Oh my god, that’s so sweet!” Carrie said. “Isn’t that sweet, Alex? She loves those records you give her.” 

    “It’s too much,” Alex said, giving Carrie the side eye.

    “It’s nothing,” Matt said. “No one wants to buy expensive stuff at pawnshops. Stuff like this, it just sits and sits.”

    “Don’t be rude, Alex,” Carrie said. “Just take the gift. I mean for Christ’s sake, if you don’t want it, I’ll take it.” She smiled at Matt.

    “I can’t carry it all the way home,” Alex said.

    “I can pick you up after your shift,” Matt said.

    Before Alex could think of another excuse, Carrie said, “That’s perfect!”

    After Matt left, Alex turned on her. “What are you doing?”

     “That’s the guy?” Carrie looked incredulous. “I thought he was gonna be some gross old creep. What is he? Thirty-five, forty?”

     “He’s practically my dad’s age,” Alex said. 

     “God he’s in great shape. And he’s got this great jaw. You ever notice how all the guys around here have saggy chins?”

    Alex hadn’t noticed his jaw before. What she had noticed was his crooked teeth. The deep creases bookending his eyes. Thinning hair that he tried to hide with a baseball cap.

    She gripped the counter while she still could.

    *          *          *

    There were a million things piled in the backseat of Matt’s truck—ceramic cherubs, whittled figurines, mismatched mugs, bowls, plates.

    “What’s all this?” she said.

    “Stuff for the pawnshop.” 

    “Don’t people bring it to your store?”

    “Nosy aren’t ya?” He dropped a hand on her shoulder. It was heavy, like a great big paw. It felt like it would push her down, right through the ground.

    He insisted on carrying the turntable and receiver upstairs. He set them on her living room floor, panting slightly from the effort.

    “You sure no one’s gonna want this?” Alex said. “Seems like you could get a good chunk of change.”

    Matt shrugged. “Who needs it more than you?” He winked.

    A breeze came through the window, blowing a lock of dark hair across her face. She flinched as calloused fingertips stroked her cheek, pushing the hair behind her ear.

    If she told him no, he’d call her a little tease, maybe even wrestle her to the ground like Ian Peters the summer she spent swimming behind his house. They’d swum to the dock in the middle of the lake. He rolled on top of her before she could stop him. His body pinned hers to the wooden slats, his tongue like a giant slug.

    She should be better at saying no.

    Matt withdrew his hand suddenly, his whole demeanor changing, shrinking, shriveling. “I’ll see you later,” he said.

    She knew she had to be clear with him before she found herself, once again, pinned to the ground. 

    *          *          *

    The next time Matt came to The Bean, Alex started wiping down the counter with intense focus, even though there was nothing to clean off or soak up.

    He dangled a necklace in front of her. A long yellow-gold chain with a large gemstone pendant, little diamonds clustered around the edges. She knew Carrie would call it gaudy, but Alex touched it right away, forgetting what mixed signal she might be sending.  

     “My grandmother had a necklace like this,” she said. The only difference was this gemstone was sapphire; her grandmother’s was black. It surprised Alex when she saw the necklace on her grandmother at the wake. She’d been sure her parents would hock it for video games, designer clothes, narcotics. “They buried her with it,” she told Matt now.

    “Seems mighty selfish, the dead hoarding things they got no use for,” he said.

    She dropped the rag in the bleach bucket, the smell clinging to her hands.

    Once, her grandmother asked if Alex wanted to come live with her. You want to leave your momma? her mother had said, accusatory. Alex had no choice but to say, Of course not.

    Matt held the pendant close to his face, scrutinizing it. “Best piece of jewelry I’ve gotten in a long time.”

    It was way more expensive than anything on the menu, even more expensive than the record player, Alex knew. She told herself she wouldn’t accept it. She wouldn’t waver.

    “Think Carrie would like it?” he said.

    “Carrie?” she said, failing to mask her surprise. “You don’t even know her.”

    “Yeah, well.” He gave a small smile and shrugged. “Mind giving it to her?”

    Here was her way out. She should’ve been relieved. So why did she feel disappointed? She forced a smile. “No problem.”

    At home, she hid the necklace in a shoebox and shoved it to the farthest corner of her closet. She’d done the same thing in high school after her parents kept taking her babysitting money. She’d been saving for her choir trip. Don’t be ungrateful, they said. We give you a roof over your head, a bed to sleep in. You know how many kids don’t have a bed to sleep in? You’re lucky we don’t make you pay rent.

    *          *          *

    Later that week, Alex came home to find Carrie and Matt together on the tattered couch, rolling a joint on the coffee table Alex had rescued from the curb. A pot boiled on the stove.

    “What are you doing here?” Alex said.

    “It’s so crazy,” Carrie said. “I went to the pawnshop looking for lamps and ran into Matt. I invited him over for mac and cheese.”

     “Hey, Blue Eyes,” he said. “Come take a hit.”

    “I’m kind of tired,” Alex told them. “I think I’ll just lay down for a bit.”

    “Come on, Alex. Stop being such a wet blanket,” Carrie said.

    “Yeah, Alex. Dry blankets are better.” Matt grinned. He extended the joint. “It’ll help you sleep.”

    She felt some invisible force pushing her toward the couch, making her sit beside Matt and take the joint even though she wanted to go to her room. 

    She tried not to breathe too deep, but still she coughed. Her parents used to make fun of her for it. They’d coax her to smoke with them—Just do it!—then laugh at how she nosedived into a rabbit hole of paranoia, twitching at every loud sound, convinced the neighbors had called the police, they were going to jail, she’d never get another job.

    Alex passed the joint to Carrie, anxiously waiting for the paranoia to hit.

    “Meant to ask, Carrie,” Matt said. “How do you like the necklace?” 

    “I forgot to tell you,” Alex said quickly, leg twitching. “I forgot it at work and the next day, it was gone. I’m so careless.”

    Matt smirked. 

    “You got me something?” Carrie said.

    “It was nothing,” Matt said.

    Carrie glared at Alex, but Alex refused to meet her eyes. She worried Carrie would push it, but she didn’t. Instead, she got up and played some painfully redundant Taylor Swift song. She danced in the middle of the room, her old high school routine. Alex remembered watching it from the bleachers during halftime. Back then, it made Alex wish she could dance, with all its twirls and flips. Now though, it just looked showy and stupid. Carrie wasn’t even playing the right song, so the steps were out of sync with the beat.

    “Looking good, Curly,” Matt said. Alex looked at him with surprise, but he only looked at Carrie, smiling like she was so damn cute and pretty and interesting. His teeth didn’t look as crooked as Alex remembered. When he placed his baseball cap on the table and ruffled his hair, it didn’t seem as thin.

    Matt passed her the joint a second time, and she took it willingly, barely noticing when she coughed. She felt herself softening, like her skin was melting right off, opening her up.

    *          *          *

    The next time Matt came over, he brought a bag lined with white powder. He made three neat little rows on the coffee table with a credit card, just the way her parents used to.

    “Alex won’t do it,” Carrie said. “She’s practically straight edge.”

    “You don’t know anything about me,” Alex said.

    “Oh well excuse me.” Carrie looked at Matt conspiratorially. “I’ve only known the girl since she was ten. Little baby’s growing up I guess.”

    “Whatever happened to college guy?” Alex said, staring Carrie down. “I’ve been meaning to ask.”

    “Who’s this?” Matt asked.

    “Carrie’s boyfriend.”

    “We went on like, two dates,” Carried said. “A date isn’t a relationship, Alex. You’d know that if you weren’t so prude.” Another smirk. Carrie bent confidently over the table, plugging one nostril, dragging the other along a white row.

    Matt inhaled the next line. He and Carrie both sniffed and wiped their noses, laughing and looking at each other for far too long.

    Alex steeled herself. She plugged her left nostril the way she saw Carrie do it, hovering the right one above the line—just do it!—then she did it, inhaling sharp and hard.

    At first she didn’t feel anything. Then she felt jittery. She stood up and walked around the living room in circles and she felt like she was buzzing, literally buzzing, her skin vibrating, her lips vibrating, even her eyelashes vibrating. She was so light she was floating. They were both watching her but she didn’t care, she didn’t care at all, because she was great and no one could tell her she wasn’t and if they told her she wasn’t then forget them, and, hey, they should all scale the water tower, no! They should go to Third Lake, no! They should go to Highland Lake, the one with the dock in the middle and swim to the bottom because she’d never swum to the bottom of a lake before and wouldn’t that be amazing? They could see all the fish and fauna and what was fauna anyway, and holy crap what if there were bodies at the bottom of the lake! And he was laughing and smiling and she zoomed right over and sat on his lap and kissed him hard. She felt her vibrating lips merging with his big soft pillowy lips, and Carrie was somewhere far away saying, “You guys are gonna make me sick.” Then they came unglued and his lips stretched across his whole face, saying, “Poor Carrie, we didn’t mean to leave you out, did we?”

    “Of course we did.”

    *          *          *

    It was nearly a month before she saw his place. Even then, they only “swung by” because he’d forgotten his wallet. Matt lived in the same one-story ranch he’d grown up in. He inherited it from his late mother, but still, Alex couldn’t get over how strange it was to be dating someone with a house.

    “You can’t walk for all the pawnshop junk,” he always said. It was, of course, an exaggeration, but not a huge one. You could walk, but only through narrow pathways carved by old stereos, TVs, crates of DVDs, records, books. Boxes of jewelry and tchotchkes covered nearly every surface inside the small ranch.

     “I warned ya, didn’t I?” He looked embarrassed, head slightly bowed, like he actually cared what she thought.

    She followed him carefully into the kitchen, where his wallet sat on the counter. Beside it was a small porcelain mermaid. It was topless but nippleless, with flowing honey hair, gaze fixed on a bright pearl nestled in a shell. Alex ran a finger along the green fin. It was exactly the kind of kitschy thing she liked.

    “Keep it,” Matt said.  “It always reminded me of you.”

    “How come?”

    He shrugged. “I wanted to give it to you before, but I thought it would scare you off.”

    She wondered if it that was true. Probably, she decided. She worried too much. She knew she did. She hugged the mermaid to her chest and kissed him on the cheek.

    “You never explained to me why you have all this stuff,” she said. “Why people don’t just bring it to your store.” She carefully wound her way through the maze of boxes, but still, she tripped.

    Matt caught her before she fell. “I get a lot of stuff from older folks who can’t drive,” he said. 

    “Isn’t that a hassle?”

    He shrugged. “I like seeing where people live. It’s interesting.”

    She remembered wandering pawnshops with her parents as a kid, grieving all the stuff she couldn’t have.

    “Maybe I can come with you, sometime,” she said.

    “That’s okay, Blue Eyes. I like going by myself.”

    *          *          *

    They were curled up on the couch, listening to the Stevie Nicks record he’d given her months ago. Carrie was off with a new boyfriend in the city.

    Earlier that night, Matt had tried teaching Alex “Bad Moon Rising” on guitar, saying CCR’s chord progressions were simple enough for beginners. She focused on contorting her fingers for a D chord, transitioning to an A, then G, moving faster every time. She didn’t even bother to strum. She became so consumed with the task she didn’t even notice the time. Suddenly, it was ten p.m., and Matt was gently pulling her to the couch.  

    They kissed softly at first, then more intense, his tongue finding its way between her lips, arms pulling her in tighter and tighter, like he was trying break the barrier of skin and bone between them. He searched her face as he ran a hand slowly up her thigh. She forced herself to smile, knowing she couldn’t keep telling him goodnight.

    She’d only done it once with Shane Damon her senior year. He’d poked and scraped her with his finger until he finally found his way inside. “You like that, don’t you,” he smirked, like he was the king of finger banging. She couldn’t say no, or she would’ve been the asshole.

    Matt didn’t poke her. Instead, his fingers gently grazed her underwear. “Talk to Me” played in the background, the synth-chimes soothing and sweet, Stevie’s voice smoky and intoxicating.

    Then he was peeling off her pants, sticking his head beneath her underwear. She propped herself up on her elbows. “We can just, you know, do it,” she said.

    “Relax.”

    But she couldn’t, embarrassed by what it must look like. Smell like. Taste like.

    Stevie’s voice grew loud and grating. The chorus started looping as much as any Taylor Swift song. The keyboards and drums gave way to a smooth jazz saxophone, like they were in one of those cheesy romcoms from the eighties her mom watched incessantly.

    “Can we try something else? Please?”

    Matt lifted his head. Light from the streetlamps seeped through the curtains, casting shadows across his face that made him look older, the wrinkles around his eyes deep dangerous caverns. 

    He gave her a joint.

    Soon, she felt herself softening. The lines on his face seeming less like markers of age, more like rivulets for microscopic fish. She imagined what they looked like until her mind started to quieten.

    *          *          *

    It was a mild autumn for the Midwest, but chilly enough that she would have preferred to be inside. She was wearing only a skirt and sweater at Carrie’s prompting, no jacket.

    She shivered and crossed her arms tightly as she reluctantly followed Matt into the woods behind the high school. He led her deeper and deeper into the trees, where they grew so dense you could barely tell it was day. She pushed branches out of the way, but still they scratched through her sleeves and tights.

    Finally, they reached a clearing and the sun broke through. There was a pond surrounded by cattails. A floating dock in the middle. An old rowboat tied to a pier.

    “Ta da!” he said, throwing out his arms.

    “I had no idea this was here,” she said. “My whole life, I never knew this was here.”

    He led her to the boat and rowed them out to the dock. They sat on a blanket, bobbing slightly on the water, a breeze numbing her fingers and cheeks.

    “There’s something I’ve been meaning to give you,” he said. He dangled a necklace in front of her. It had a long yellow-gold chain. A black gemstone pendant. Little diamonds on the sides. “Since you liked that other necklace so much.”

    The one still tucked away in her closet. She took the necklace and examined it. This one looked exactly like her grandmother’s, the one she was buried with. But he couldn’t have. There was no way he could have. Could he have? She smelled something putrid. She dropped it.

    “Careful!” he said, catching it.

    Her hands were shaking. Her whole body was shaking. “I don’t understand,” she said.

    “It’s been sitting in my shop since last year,” he said.

    “But they buried her with it.”

    “What are you talking about?”

    “My grandmother’s necklace. They buried her with it.”

    “What are you saying, Alex?”

    She wrapped her arms around her legs, the hard, wooden slats boring into her tailbone. She imagined him digging up not just her grandmother’s grave, but all kinds of graves, turning over the town’s cemetery for things he could sell at his pawnshop without having to buy them first, things that might accumulate in his house and truck before he could take them to the store.

    “You know what your problem is, Alex?”

    She braced herself for his anger, for him to yell at her for being an ungrateful little bitch.

    But he said, “You think you don’t deserve to be happy. You want to push me away, because you think you don’t deserve someone who’s nice to you for a change.”

    He still held the necklace. Even though it was black, the gemstone sparkled in the sun.

    “I’m sorry,” she said quietly. She let him clasp the chain around her neck, the pendant falling hard against her chest. She rubbed it between her fingers.

    Maybe her parents had snatched it from her grandmother’s casket after the wake. Maybe she was remembering wrong.

    The wind was picking up, whipping hair across her eyes. He moved beside her, swaying the dock so water lapped the edges. She could let herself fall in. Plunge deep and finally see what lurked beneath. The sun fell lower in the sky. It dropped below the tree line, turning the water dark, an impenetrable black.

  • Review: Say You’ll Remember Me

    by Abby Jimenez

    Star Rating: ⭐⭐⭐⭐.5


    Synopsis:

    Say You'll Remember Me book

    Xavier and Samantha fall hard and fast for each other. But the day after their epic first date, Samantha leaves Minnesota to help her family take care of her mother, who has early onset dementia, in California.

    Even though they barely know each other, Xavier and Samantha can’t forget each other, and they can’t move on. And even though they know it seems like a terrible idea, they start a long-distance relationship that wears on them both financially and emotionally.

    With Xavier financially bound to his new veterinary practice and Samantha determined to be there for her family, they don’t see how they’ll ever be able to live in the same state for the foreseeable future. As hard as it is, not being together feels a thousand times worse. Can they figure out a way to make it work?


    Review:

    This was such delightful, sweet story that warmed my heart. I flew through this book in two days, which is really fast for me. There was so much I loved:

    That Xavier is a veterinarian who’s extremely passionate about animal welfare. I have such a soft spot for fellow animal lovers and so appreciate that they recur throughout Abby Jimenez’s books. 

    The idea of two people with such strong chemistry that they couldn’t stay away from each other, even though they’d only met once, lived 2,000 miles apart, and a romantic relationship didn’t make logical sense. That’s what strong love will do: push you to do things that make no sense to anyone else.

    Samantha’s family dynamic and seeing the challenges they faced dealing with her mother Lisa’s dementia. It felt so real and heart-wrenching, but also moving. I loved the way they all banded together and supported one another through the hardest, scariest moments of this disease.

    And even as Lisa’s condition worsened, they were still so determined to care for her, form their own new memories of her, and do everything in their power to give her the best quality of life they possibly could.

    The way Samantha unlocks something in Xavier and draws him out of his shell. When they first meet, he’s so closed off and even curmudgeonly as a direct result of his terrible childhood. But she gives him someone he feels like he can truly trust for the first time in a long time. He feels safe to let his guard down, be vulnerable, and experience real joy.

    It’s so sweet and hopeful: No matter what we’re going through now or what awful things we’ve experienced in the past, we can still have these magical moments with people who allow us to appreciate the beauty life can have.

    Small Quibbles:

    Say You’ll Remember Me seems like it’s been pretty divisive, with readers either loving or hating it. I’ve seen some criticize the book because they didn’t understand the connection between Xavier and Samantha.

    That wasn’t my experience, but there were times I thought Abby moved too quickly through their dates, summarizing big sections where I wish she’d slowed down and given us more fleshed-out scenes. I think more scenes would’ve gone a long to helping more readers feel Samantha and Xavier’s connection, and those of us who already did to feel it even more strongly.

    I’ve also seen at least a few readers criticize the language for using too much contemporary slang. I admit that did bug me a little. Especially early on, there were a lot of Gen z phrases (e.g. pick me, out of pocket), that didn’t necessarily feel natural to the characters. To me, it felt more like an author in their 40s trying a little too hard to relate to readers in their late teens and early 20s.

    Similarly, there were several references to the character Rhysand from Sarah J. Maas’s ACOTAR series. I love this character and I love ACOTAR, but the reference felt forced rather than organic. It would’ve been different if the characters were big readers and talked about books a lot, but they weren’t and they didn’t.

    Lastly, I felt like Samantha and especially Xavier should’ve been a little bit older. They’re 28 and 29, respectively. But Xavier has owned his own vet clinic for two years, which means he opened it at roughly age 27. Yet, vet school—according to my Google search—lasts 4 years, which means Xavier most likely would’ve finished school at about 26.

    I find it hard to believe that a year out of school, with no money to his name, he was able to secure a loan and open his own brick-and-mortar business. He should really be at least in his early 30s for his situation to feel plausible.

    But this is all just me being nitpicky. Criticisms aside, the book made me so happy and pulled me in so much, and that’s what matters most.

    I’m still working through Abby Jimenez’s books (I need to read the Part of Your World series), but so far Say You’ll Remember ranks pretty high. It’s above the Friend Zone series, and right below Just for the Summer—my current favorite.  


    Favorite Quotes:

    “You think it’s the big memories you should be chasing … But the small memories are the fabric of your life, the ones so inconsequential that you don’t even remember them. You just remember how you felt when you were making them.” (243)

    “I was willing to work harder for her than I’d ever worked for anything or anyone including myself. Loving her gave me purpose. It made me feel like I knew what my life was supposed to be about. I felt focused and calm and like a frantic search I hadn’t known I was on was over. This was what I was here to do, this was who I was here to be with.” (279)

    “I wanted the luxury of mundane cohabitation. I wanted to get sick of him. I wanted to see him so much, his bad habits exasperated me. I wanted to be so tired of his shit, I looked forward to him going out on his boy’s weekends just so I could get some alone time, and then once he’s gone, I’d miss him so much I can’t stand it and I’m miserable the whole time because he’s my best friend.” (309-310)

  • Review: How to End a Love Story

    by Yulin Kuang

    Star Rating: ⭐⭐⭐⭐⭐


    Synopsis:

    Helen Zhang relocates to LA to work on the TV adaptation of her YA series, The Ivy Papers. To her dismay, her staff writers include Grant Shepard, her high school homecoming king who was involved in the tragic accident that claimed her little sister’s life 13 years earlier.

    As the two learn how to untangle their pain and work together, they realize there’s something more between them. But can they have a future when they share such a traumatic past?


    Review:

    I loved this book so much! It was incredibly heartfelt and moving. Yulin Kuang somehow managed to tackle heavy subjects—ranging from PTSD to suicide—with nuance and sensitivity, while also balancing them with humor, romance, and spice. I could not be more impressed.

    I love romance books where the leads have to overcome a significant obstacle in order to be together. And my God, I can hardly think of a bigger obstacle than, “my sister killed herself by jumping in front of your car.” (This is not a spoiler; it happens in the first few pages.)

    A big obstacle not only makes for a better story, it also fills me with hope. It’s not so much the idea of love conquering it all as it is the strength of the human spirit—especially our enormous compacity for perseverance and forgiveness.

    As hard as relationships and life can be, two people—no matter how messy—can come together to work through their issues and trauma, lift each other up, and come out the other side stronger. We can even find something beautiful in the places and people we least expect it if we allow ourselves to really know them and be known in return.

    I really appreciated that How to End a Love Story largely takes place 13 years after the death of Helen’s sister, Michelle. It highlights the way emotional pain lingers. Even if you manage to make something of your life after such a traumatic experience—as Helen and Grant both do—you’ll still carry this pain with you. If you try to hide or suppress it, it will eventually try to force itself out in one way or another—Grant with his panic attacks, Helen with her anxiety and tendency to lash out.

    On the surface, it seems like there’s no way a relationship between these two people could work—Helen and her parents blame Grant for Michelle’s death, because it’s easier than grappling with her suicide. Grant himself feels debilitating guilt over her death too. And yet, no one can understand Grant’s and Helen’s pain quite like the other. I could really feel the connection and chemistry between these two characters, and I really rooted for them—their relationship as well as their respective career success and emotional wellbeing. I cannot recommend this book enough.

    I recently learned that Yulin Kuang is the screenwriter for the film adaptations of Emily Henry’s People We Meet on Vacation and Beach Read (she’s also the director on the latter). I’m a huge Henry fan, and I was a little nervous that the adaptations wouldn’t live up to my expectations. But after reading How to End a Love Story, I’m so much more excited for them! How fitting that this book was about book-to-screen adaptations. I feel confident we’re in good hands.


    Favorite Quotes:

    “I’d rather have a fraction of you than all of someone else.” (306)

    “He kisses her slowly, persuasively, as if they have all the time in the world—before he slows down the kiss that she’s already starting to call the best damn kiss of her entire life and it retreats from present tense into memory.” (187)

    “Helen has created a very special window into her life that’s just for her parents. Don’t look there, the view’s not as good, she would say, pulling the drapes over a messy fourth date, a failed situationship, a bad breakup, and a drunken night out. She stores up bad news like acorns in the winter and metes them out in small doses, when she finally has good news to soften the blow.” (109)

  • Review: Great Big Beautiful Life

    by Emily Henry

    Star Rating: ⭐⭐⭐⭐


    Synopsis:

    Alice is an upbeat optimist who writes celebrity profiles. Hayden is a chilly Pulitzer-Prize winning biographer. The two collide when they both arrive on a small island in Georgia to compete for the same job:

    Writing the biography of Margaret Ives, a reclusive heiress now in her eighties who was once known as “The Tabloid Princess” before she disappeared decades ago.

    Alice and Hayden don’t know why Margaret suddenly wants to emerge from her life of anonymity after all these years, but they want to find out almost as much as they want to write her life story. While they try to figure out what she’s playing at, they discover an undeniable spark between them.


    Review:

    I keep hearing how this book is so different from Emily Henry’s other novels, but I didn’t feel that way at all. Great Big Beautiful Life felt like classic Henry to me. Her writing style is the same, and I found so many traces of her other books. Notably:

    • People We Meet on Vacation: Alice and Hayden reminded me of Poppy and Alex with their grumpy/sunshine, opposites attract dynamic. Both women are bubbly, chatty, and outgoing, while the men are quiet, reserved, serious, and contemplative.

    • Book Lovers: Though the dynamic is a bit different, Alice and Hayden working on the same biography was reminiscent of Nora and Charlie editing their mutual client’s novel together.
    • Beach Read: Alice and January have so much in common: They’re both writers struggling with the loss of their father. They both fall for acclaimed writers who they worry don’t take their work seriously. And they both grew up with a sick family member, which made them each feel like they always had to put on a brave face to make everyone else feel better and not be a burden.

    Without giving too much away, I’d also like to point out that a cult called comes up at some point in GBBL—the People’s Movement for Metaphysical Healing—which calls to mind the New Eden cult that Gus writes about in Beach Read. We even follow Gus and January as they interview former cult members and their famlies—just as we watch Alice interview Margaret.

    Even the “story within a story,” which most people seem to point to as the major departure for Henry, didn’t feel like a big leap for me. Most of Henry’s main characters are either writers or professionals working in the world of books. And while it doesn’t go nearly as in depth as GBBL does with Margaret’s story, Book Lovers spends a fair amount of time on Dusty’s novel Frigid . In Beach Read, we learn a lot about the novels Gus and January are writing: The Cup is Already Broken andThe Great Family Marconi, respectively (all of which are, arguably, mini stories within a larger story).

    To be clear, I’m not criticizing GBBL for its overlap with Henry’s other books. It’s normal for writers to revisit similar themes and ideas. If anything, I feel like I kind of know Henry a little bit now and have a better understanding of what her preoccupations are. And I think she’s been setting herself and her readers up for GBBL for a long time.

    I really liked GBBL overall, especially the ending, which I’ve seen a fair amount of criticism of. But to me, everything came together in a really satisfying way. I won’t say more than that to avoid spoilers.

    I also enjoyed Margaret’s story quite a bit, with its explorations of inherited trauma, parasocial relationships, and fractured identities. I know this story within a story has been divisive, with some finding it tedious and boring. Admittedly, it moved a bit slower at times than the romance plotline and required a bit more patience, but I don’t fault it for that. This, I think, is the biggest departure for Henry with GBBL: She asks us to be patient and slow down for a minute, which romance books (including Henry’s past ones) don’t often ask us to do.

    My only real issue with GBBL was that we jumped into the romance between Alice and Hayden too quickly, before I felt really invested in them as a couple. Perhaps ironically, I wish Henry had slowed this part down too. But I did ultimately enjoy their love story and rooted for them in the end.

    I’m not sure yet where GBBL ranks for me among Henry’s books. It’s not my favorite of hers, but it was still compelling and I’ll definitely reread.


    Favorite Quotes:

    “When you love someone, you do anything to give them what they need. You unmake the world and build a new one.” (410)

    “I want to be with you. Nothing else is going to matter to me more than that. Not at the end of my life. Not even now. Nothing will matter more than who I spent my time with, and I want it to be you. I need it to be you.” (411-412)

  • Review: Crescent City—House of Earth and Blood

    By Sarah J. Maas

    Star Rating: ⭐⭐⭐⭐.25

    Quick Take: Wonderful! Really impressive world-building filled with high stakes, fun twists, engaging mysteries, and a whole lot of heart.

    Favorite Quotes: “They were two of a kind, like she could throw anything at him and he’d catch it. Would meet every challenge with that wicked, feral grin.” (357)

    “You’re the person I don’t need to explain myself to—not when it matters. You see everything I am, and you don’t run away from it.” (556)

    “For fuck’s sake, just kiss me, Quinlin.” (590)


    I was nervous going into this book. I love Sarah J. Maas’s series A Court of Thorns and Roses, but I’ve heard from fellow fans that Crescent City (and Throne of Glass) isn’t nearly as good. That it’s light on the romance and heavy on the fantasy, and inundated with tedious, slow world-building that’s difficult to follow. This deterred me from exploring the series for a long time.

    But I was so pleasantly surprised by House of Earth and Blood. While I do think it could’ve been 100–200 pages shorter (it’s 800 total), I thoroughly enjoyed it.

    The world-building wasn’t nearly as intense as I imagined and was integrated into the narrative really well. While I initially had a little trouble keeping some things straight (like the different houses and classes), it all sank in relatively quickly and I followed it just fine overall. I actually found the societal intricacies and hierarchies pretty fascinating (and impressive).

    What I Loved:

    All the mysteries that kept me guessing. Every time I thought I figured something out, there was a fun, new twist.

    The strong friendship between Danika and Bryce. The book really revolves around their connection and love for each other. It really hits home the value of platonic love, how it can be just as powerful and meaningful as romantic love.

    The unconditional love between Bryce and her brother Ruhn. Their relationship is the way I want familial bonds to be—even when you drive each other crazy, even when you piss each other off, you still love each other and would do anything you could to protect one another.  

    The slow burn romance and deep connection between Bryce and Hunt, and the idea that second love can be just as powerful as first. They both lost people they loved, knew what it was like to be othered and treated as less than, and understood the anger that belied the deep-seated pain they each harbored. And they came to accept each other fully, rough edges and all.

    Sidenote for ACOTAR fans: Bryce and Hunt reminded me of a slightly less intense version of Nesta and Cassian in A Court of Silver Flames.

    The messy, complicated characters, especially Bryce and Hunt. Maas is so good at writing people coping with trauma and going through all the stages of grief. Notably, using anger as a shield before finally allowing themselves to fully experience their pain. Bryce’s journey to accept what is and ultimately love and trust both herself and others again is so emotionally satisfying.

    The other things I loved, as well as the majority of my criticisms, get into spoiler territory, so if you haven’t read this book yet, stop here!


    ***SPOILERS AHEAD!***

    I went into this book blind, and I’m so glad I did. I was truly shocked when Danika and Connor died fairly early on. I expected Danika to be Bryce’s sidekick throughout the book, and Connor to be her primary love interest. It made me all the more excited to keep reading and figure out where the book would go after such a surprising, horrific event.

    I was also legitimately surprised when archangel Micah turned out to be the book’s ultimate villain. I’d been convinced that he was if not good, at least decent and principled. When he showed up at the antiquities shop where Bryce works, I was sure he was there to help her figure out how to free Hunt. When he reveals that he was behind the horrendous crimes of the novel, it was surprising but also made sense—which is how a twist should be.

    Some Small Qualms:

    • I was heartbroken when the fire sprite Lehabah died, sacrificing herself to save Bryce. The heartbreak itself isn’t a problem—I want a story to make me feel things—but it bugged me that an enslaved character who had literally nothing died for the book’s hero. I would have preferred a character with more power and autonomy—such as the sorceress Jesiba, Bryce’s domineering and irascible boss—to make that kind of sacrifice.
    • Hunt’s secret plan to use synth for another uprising stretched credulity for a few reasons.
      1. He sneaks out in the middle of the night to buy synth on a barge in the middle of the river without Bryce knowing. Yet, he, was in agonizing pain from his wings being cut off, and could barely walk hours earlier. How is he physically capable of pulling off this caper?
      2. We get Hunt’s POV so often throughout the book that it doesn’t make sense we wouldn’t know what he was up to. We should’ve at least gotten more clues so it didn’t come as a total shock. It felt a little cheap and purposely obfuscating rather than organic. 
    • At the summit at the end of the book, everyone watches Bryce fighting for her life on the video feed for far too long before jumping into action. I know the summit was far away from Crescent City, but they could’ve gotten off their asses sooner to try and help her. It was also a little irritating seeing so much of Bryce’s experience filtered through this lens. We could’ve stayed with her for the majority of this section.
    • I do wish there was a little more time spent on the romance between Hunt and Bryce given how long the book is, but that’s more on me, being a bigger fan of romance than fantasy. That said, I do wish it hadn’t taken 500 pages for anything to happen between them, and it’s absolutely infuriating that every time they started to get physically intimate, they were interrupted. Every. Damn. Time. We should’ve at least gotten one uninterrupted scene at the end of the book.

  • Why I’m Writing Notebook Fanfiction

    You can read my Notebook fanfiction, “First & Second Loves,” on Wattpad. Read on to learn more about what inspired me to take on this project.


    Collage of Ryan Gosling, Rachel McAdams, and James Marsden in the Notebook.

    The Notebook may not capture the popular imagination the way it once did, but it still holds a special place in my heart as a formative film of my youth. I’ve loved it ever since high school, when Nick Cassavetes’ 2004 film starring Rachel McAdams, Ryan Gosling, and James Marsden came out.

    Back then, I really rooted for Noah and Allie’s relationship. They seemed like star-crossed lovers destined to be together. But as an adult, I no longer believe they’re right for each other. Or better yet, that they’re not good for each other.

    The film portrays their relationship as volatile and at times even violent (Allie hits Noah on at least two separate occasions). When they fight, they often yell “I hate you” and call each other names (notably, “a smug son of a bitch” and “a pain in the ass”). It would be one thing if they traded insults offhandedly or with some humor, but every jab is delivered with such animosity.

    What troubles me most is their so-called meet-cute at the carnival. Noah won’t leave Allie alone even though she explicitly tells him she’s not interested. He forces his way into her Ferris Wheel car and tries to cajole her to go out with him. When she rejects him yet again, he climbs out of the car and dangles from the top of the Ferris wheel, threatening to let go if she doesn’t agree. She capitulates only because he scares the shit out of her.

    It’s seriously psychotic. When I was a sixteen, I thought it was funny and romantic, too young and naïve to understand how manipulative and psychologically abusive Noah’s behavior actually is.

    Despite their contentious relationship, the movie portrays Noah as the forgone conclusion for Allie, conflating volatility with passion as so many romances unfortunately do.

    My younger, less-discerning self never really considered Lon Hammond, Allie’s fiancé, as a real option for her. But now, I can’t help noticing how funny he is, how sweet and playful and endlessly supportive. More importantly, Allie appears genuinely happy when she’s with him and totally enamored. They seem to bring out the best in each other, which makes them a much better match.

    This is why I decided to write fanfiction for The Notebook—I wanted to push back against the idea that love and passion have to be volatile, and I wanted to give Lon Hammond the serious consideration he deserves.

    To be clear, my fanfiction stems specifically from the film, not Nicholas Sparks’ 1996 book of the same name. The characters in the book are quite different than they are in the film—Noah and Allie are portrayed as two sensitive, artistic souls who support each other and are never cruel. Lon, meanwhile, isn’t fun at all, and it’s clear Allie is unhappy and quite lonely. And though I also loved the book as a teen, it’s a bit too tame and slow for my current tastes—yet another reason I wanted to write my own story.

    My fanfiction is set in modern day and focuses on the characters when they’re in their 20s, because I cannot with the Alzheimer’s. It’s too damn heartbreaking and real life is hard enough.

    Below are a few of my favorite quotes from my story, “First & Second Loves.” I’ve published half of it on Wattpad so far, and plan to post a chapter a week . I hope you’ll read the full story!


    Excerpts from First & Second Loves:

    “He let out a tantalizing moan as he popped the tart into his mouth. A moan that made Allie’s skin tingle. She couldn’t help wondering if she could provoke that same sound behind closed doors.”

    “He stared at her with such intensity, like she was the only person in the whole world who mattered. It was intoxicating.”

    “She felt like she was on the brink of something big, like she was teetering on the edge of a precipice and everything could change in an instant. What would happen if she let herself fall?”

    “She felt like she was blasted into another dimension, an infinite cosmos filled with blindingly bright stars where no one else existed but the two of them. She couldn’t think, she couldn’t see, she couldn’t hear, she could only feel Noah and the pulses he sent rippling through her body.”

    Read the Full Story »

  • Review: Wild Love

    by Elsie Silver

    Star Rating: ⭐⭐⭐.25

    Quick Take: Overall an entertaining, sexy read with a lot of fun banter, but a little longer than it needed to be.

    Favorite Quotes: “Rosie, I’m a grown-ass man. Your period doesn’t scare me.” (275)

    “I definitely don’t hate you, Rosie. Not even close. But I can fuck you like I do if that’s what you need.” (302)


    What I Loved:

    The flirtatious teasing and banter between the main characters, Rosie and Ford, especially in the first half of the book. Their jabs at one another felt like good-natured ribbing, rather than anything with true animus behind it. I particularly loved the quippy work emails they’d send one another—these were some of the funniest moments in the book.

    That Ford carried a torch for Rosie for over a decade. In male-female romance books, I always love when the man has been in love with the woman for years, especially when she’s misconstrued his feelings, thinking he was disinterested or annoyed by her. But really, that disinterest or irritation is the guy’s way of hiding feelings he fears are unacceptable or unwanted.

    The slow burn followed by steamy sex scenes. I’ll say this for Silver: she really does know how to write a good sex scene. And I love a good sex scene all the more when I have to wait for it—the tension just builds and builds between the characters until it boils over.

    On a related note, I so appreciate that Rosie and Ford don’t have penetrative sex right away. In a lot of romance novels, the characters end up having sex the first time they kiss. There’s nothing wrong with that, it’s just not as tantalizing or satisfying, in my opinion.

    What I Didn’t Love:

    After Rosie and Ford finally get together, their good-natured teasing turns meaner. This was the opposite of what I’ve seen in many enemies-to-lovers novels, where initial cruelty turns more playful once the characters actually acknowledge their feelings for each other.

    I hate it when fighting and cruelty are conflated with passion. Initially, I was so excited that this book seemed like it was going to flip this trope on its head, and was disappointed when it didn’t. I wish Silver had kept the initial lightness to Rosie and Ford’s banter, but as it went on, I felt like these characters seemed to bring out the worst in each other.

    Some really important secondary characters and subplots got overshadowed and didn’t receive nearly as much page space as they deserved.

    Most notably, Rosie’s brother West, who also happens to be Ford’s best friend. Their fear of upsetting West is supposed to be one of the primary reasons that Ford and Rosie are reluctant to get together. But West is barely in this book! He deserved to be in it much more, and the novel would have been more satisfying for it.

    Sometimes the language felt inauthentic to the characters. I noticed this with Rosie’s diary entries from high school—they often didn’t sound like they’d been written by a teenager. (That said, I did really enjoy the inclusion of her diary entries overall, and the way they gave us more insight into Rosie and Ford’s dynamic as teens.)

    The language felt most inauthentic to me reading Ford’s POV. His language turned flowery and poetic at times as he described the setting in depth. It felt totally inconsistent with his character. The worst offender:

    “The smell of lilacs permeates the air, emanating from the bush behind us, while the minerality of the lake water beside us adds a soft undertone.” (211)

    I know I criticized quite a few things, but I’ll say this: I liked the parts I liked more than I disliked the parts I disliked. And most of my critiques are me being nitpicky. This is an incredibly popular book and series, beloved by many romance readers. Wild Love definitely piqued my interest in Elsie Silver as an author and I plan to read more by her.

  • Review: All the Missing Pieces

    by Catherine Cowles

    Star Rating: ⭐⭐⭐⭐

    Quick Take: Loved! A super engaging story that has a little bit of everything—crime, romance, tragedy, humor. It also combines one of my favorite romance tropes—enemies to lovers—with a good mystery.

    Favorite Quotes: “Be safe, Chaos. It’s going to piss me the hell off if you end up dead.” (212)

    “If I break my neck pulling this ridiculous stunt, I’m going to haunt your ass.” (266)


    I loved this book! It has a little bit of everything—crime, romance, tragedy, humor. It also combines one of my favorite romance tropes—enemies to lovers—with my love of a good mystery. It kept me guessing until the end. I lay awake at night trying to solve it, and I couldn’t.

    I worried this meant that the big reveal might be a let down with a completely left-field perpetrator, but it wasn’t. The answer made sense in the world of the novel and was all the more satisfying since I couldn’t guess it.

    Brief synopsis: Losing her twin sister compels Ridley Sawyer to become a nomadic true-crime podcaster, driving her camper van around the country in the hopes of helping solve cold cases that are similar to her sister’s disappearance—and that she suspects could be connected. When she arrives in Shady Cove for her next assignment, she’s met with resistance from the small, tight-knit community, and her biggest detractor is the town’s smoking hot sheriff, Colter Brooks.

    With the growing popularity of true crime in recent years and the heated debate around its ethics, I loved the way the book handled this contentious topic with such care, openness, and thoughtfulness. In short, there’s a right way to do true crime that can bring communities together, find justice for victims and their families, and potentially pave the way for healing. There’s also a wrong way to do true crime, which exploits these tragedies for personal and financial gain and in the process, dehumanizes victims and their families while forcing them to relive the worst moments of their lives.

    In All the Missing Pieces, the community of Shady Cove is suspicious that Ridley falls into the latter category, that she’s only digging into the town’s painful history to get more followers for her podcast and boost her own popularity. But one by one, they see how passionate Ridley is about justice, and that the purpose of her podcast is to garner enough interest in cold cases to uncover new, previously missed details that could be the key to solving them. In doing so, Ridley hopes to give families closure and stop the perpetrators of these crimes from hurting anyone else. The community bands together behind her, especially when they learn that Ridley’s own sister was kidnapped and never found. The book nearly had me in tears several times as Ridley confronted her trauma and helped Colt do the same.

    The only reason I didn’t give this book five stars is because I often found the language lacking. While there were some good quips throughout, the novel had a lot of sticky sentences the editor in me itched to simplify. There were also several chapters that ended with hokey and maddening cliff hangers. I’m not against cliff hangers in general, only when they’re used to trick the audience into thinking something terrible is about to happen (e.g. Ridley thinks someone is hiding in her closet waiting to attack her, but turns out it was just her cat).

    My last main critique is that some of the sex scenes felt logistically absurd (they’re standing in the middle of a room and he’s holding her with one arm, really?). But I can hardly hold it against Cowles when this is a recurring issue I see in many romance books, and the scenes were still sexy and fun.

    Overall though, All the Missing Pieces tells a super engaging story that manages to be both incredibly moving and a lot of fun. I’m definitely interested in reading more by Cowles.

    I’m really hoping for a spinoff with two of the secondary characters (I won’t say who to avoid any spoilers). And I think there’s a good chance we’ll get one. Cowles sets it up perfectly.

  • Review: The Rose and the Yew Tree

    by Mary Westmacott (aka Agathie Christie)


    Star Rating: ⭐⭐⭐⭐⭐

    Quick Take: Absolutely stunning. A provocative meditation on life, love, worry, what it means to be a person in the world, and whether there are new possible ways to navigate it that we’d never considered.  

    Favorite Quote: “You really loved her. You loved her enough to leave her alone.” (p. 245)


    After hearing that Agathie Christie wrote romance novels under the pseudonym Mary Westmacott, I immediately checked out one of these books: The Rose and the Yew Tree, first published in 1947 by Arbor House.

    It’s definitely not a romance, but I’m still including it in my romance recommendations because it is about love and obsession and relationships, subjects I imagine interest many romance readers.

    I was truly surprised by how much I loved this book—it’s one of the best I’ve read in the past few years. I didn’t really know what to expect going into it, having only read Christie’s detective novels. While I enjoyed many of them, they never truly captivated me, and they certainly never moved me the way The Rose and the Yew Tree did.

    This novel gripped me pretty much from the beginning, with its acerbic wit juxtaposed with stunning insights on love, life, and death. It somehow manages to be incredibly funny as well as beautiful and tragic. It has everything.

    HarperCollins (which later republished the book) provides this synopsis: “Everyone expected Isabella Charteris, beautiful, sheltered and aristocratic, to marry her cousin Rupert when he came back from the war. It would have been such a suitable marriage. How strange then that John Gabriel, an ambitious and ruthless war hero, should appear in her life. For Isabella, the price of love would mean abandoning her dreams of home and happiness forever. For Gabriel, it would destroy his chance of a career and all his ambitions!”

    To me, this synopsis fails to capture the book’s essence. It completely leaves out the narrator, Hugh Norrey, who himself becomes enchanted by Isabella. Hugh relocates to the country with his brother and sister-in-law after a terrible car accident destroys his ability to walk, have sex, or do much of anything for himself. Hugh is drowning in self-pity and despair when he meets Isabella, but as he gets to know her, he rediscovers his will to live again. Through him, we get provocative meditations on what it means to be a person in the world and whether there are new possible ways to navigate it that we’d never considered.  

    It was Hugh’s experience and reflections that stuck with me and stood out more than any romantic encounter between Isabella and John Gabriel. While they both feature prominently in the book, it’s primarily through their respective relationships to Hugh. Their own tryst doesn’t even come up until the book is nearly over.

    What captivated me most about The Rose and the Yew Tree were Christie’s incredibly vivid, specific, and authentic character portraits. It was these portraits that propelled the book forward more than plot, which I believe categorizes the book as literary fiction more than anything else.  

    For me, so much of this book is a meditation on worry—the futility and perhaps even the self-indulgence of it. It’s not just that worry can prevent us from enjoying life; worry can also impede us from really seeing the world around us and the people in it. We instead see them filtered through our own experience rather than their own, putting ourselves at the center of other people’s lives.

    The book is also a mediation on love and what it means to truly care for someone. It’s not about obsession or passion or lust. It’s about seeing them for who they really are and not just accepting them, but appreciating them for it. Allowing them to live their life the way they see fit, even if that means that you’re not a part of it. And in the world of The Rose and the Yew Tree, loving someone so purely can bring its own kind of happiness.

    I can’t remember the last time I flagged so many quotes from a book. Here are a few of my favorites:

    “I’ve always suspected that a sense of humor is a kind of parlor trick we civilized folk have taught ourselves as an insurance against disillusionment. We make a conscious effort to see things as funny, simply because we suspect they are unsatisfactory.”(Arbor House first edition, p. 175)


    “We, all of us, use imagination and speculation as a means of escape—a way of getting outwards, away from ourselves. Isabella doesn’t need to get away from herself. She can live with herself—she’s in harmony with herself. She has no need for a more complex way of life.” (p. 119–120)


    “Is there any bitterness like the bitterness of a fool’s paradise? All that communion of mind with mind, our thoughts that leapt to complete each other, our friendship, our companionship: illusion—nothing but illusion. The illusion that mutual attraction between man and woman breeds. Nature’s lure, Nature’s last and most cunning piece of deceit. Between me and Jennifer that had been the attraction of the flesh only—from that had sprung the whole monstrous fabric of self-deception. It had been passion and passion only, and the discovery shamed me, turned me sour, brought me almost to the point of hating her as well as myself. We stared at each other desolately—wondering each in our own way what had happened to the miracle in which we had been so confident.” (p. 27)